The Afrobeats sound is not monolithic. It comes in so many subcategories! Houston is witnessing a new sound, and it’s coming from 24-year-old AdeMofe Abiodun, more popularly known as ‘Mofe.’
This Nigerian-born, H-Town-based artist takes the world by storm with his unique blend of Afrobeats and alternative sounds. His hit song “Prince of Egypt” has become a viral sensation collaborating with TikTok sensation Hugo Hilaire, But Mofe’s rise is anything but ordinary.
Music has always been his birthright. Growing up, his family home was filled with the sounds of his gospel-singing mother and relatives who were talented musicians. But in Houston, where he moved at 13, Mofe truly discovered his voice. Here, the vibrant hip-hop scene collided with the Afrobeats influences of his Nigerian childhood, creating a sound that defies easy categorization.
“I wouldn’t say I purely make Afrobeats,” says Mofe. “It’s more like Afrobeats with a hip-hop twist. Growing up in Houston, you know that rap influence just seeped in.”
Mofe’s genre-bending approach is evident in his viral hit, “Prince of Egypt.” The song started as a playful experiment on TikTok and has become a viral hit with fans doing dance challenges worldwide.
“People were confused,” Mofe said. “Some said it wasn’t even Afrobeats! But that’s the beauty of it. I’m making music that feels good and blends the sounds I love.”
Mofe’s unique sound is one of many things catching attention. His infectious energy and passion are undeniable. Whether online or on stage, he connects with audiences in a way that transcends the genre.
“Prince of Egypt” may have made him a star, but Mofe isn’t resting on his laurels. He’s constantly pushing boundaries and experimenting with new sounds.
“I make music in the moment,” he says. “I can’t be boxed in. There’s so much more to come.”
The Defender spoke with the rising star about his music and life as an independent artist in Houston.
Defender: What are people’s thoughts about the work you’re doing?
Mofe: People’s reactions to my work vary. People ask me about the type of music I make, and I’m never fully able to answer that question. Some hardcore Afrobeats fans feel that my music doesn’t fit the traditional mold of the genre, while others appreciate the evolution and diversity I bring to the table. Interestingly, I’ve found support from unexpected places, including within the Afrobeats community and among American listeners. Overall, it’s been a journey of mixed reactions, but I’m grateful to every person who takes the time to engage with my music. You listen to obscure hip-hop songs and combine them with Afrobeats or popular songs. I’ve done Afrobeats and Country. I’m not limited to what I can create. The people who you wouldn’t think like my music, do. There is an Alté community that rocks with my sound. They understand the vision. Americans mess with my sound.
Defender: Do you agree with artists who distance themselves from the label “Afrobeats”?
Mofe: As an artist, I respect everyone’s right to define their own artistry. However, it’s essential to acknowledge the roots and influences of your music. While it’s understandable to avoid being pigeonholed into a specific genre, paying homage to the origins of your sound is crucial. Afrobeats has a rich history and culture; as artists, we should embrace it while pushing boundaries and exploring new directions.
Defender Network: What was the story behind “Prince of Egypt” going viral?
Mofe: The journey behind “Prince of Egypt” was unexpected and exhilarating. TikTok is a very powerful resource. I’d been posting there for quite a while. It started with a TikTok post expressing my love for a beat called “Not Responsible,” produced by Amon, which I used for “Prince of Egypt.” I was encouraged by people on TikTok to turn it into a song. The overwhelming demand from fans pushed me to release it in October 2023, and it skyrocketed. I had no idea Hugo was dancing to the song, but then I saw the dance trend, especially in Nigeria, France, and the UK. At the beginning of 2024, Hugo hit me up and asked me to do a music video with the song. I appreciated him so much that I flew out to Paris to meet him to shoot the video. Everything went so smoothly. Collaborating with Hugo Hilaire for the music video added another dimension to the song’s popularity, further amplifying its global reach. It’s been an incredible ride, and I’m grateful for every moment.
Defender Network: How does it feel to have your music blow up internationally from your base in Houston?
Mofe: Seeing my music resonate with audiences worldwide is surreal, especially since I am based in Houston. While the local scene may still need to fully recognize my presence, knowing that my music reaches listeners in places like Lagos, London, and beyond is incredibly humbling. I’m excited to continue representing Houston on the global stage and make an impact within the city’s music community as well.
Defender Network: Are any future projects coming up?
Mofe: I have several exciting projects in the works, including more singles and an EP slated for release later this year. Additionally, I’m looking forward to performing live shows in cities like Lagos, London, and, hopefully, Houston. My goal is to continue pushing boundaries with my music, collaborating with talented artists, and making a lasting impact on the global music scene. I hope to collaborate with Rema and some Alté, and UK underground artists one day.
